Spacing Chart – poster, Cooper & Beatty, 1927

This poster is set entirely in variations of Caslon Old Style, a popular typeface family of the period. The decorative border is built from three Monotype ornaments: No. 26A and 26B for the outer sections, and No. 27 inside. A continuous two-weight ‘Scotch’ or ‘Oxford’ double rule encloses the inside of the assembled border.
Main image for this archive item. Click to enlarge the image.
Main image for this archive item. Click to enlarge the image.
Main image for this archive item. Click to enlarge the image.
Main image for this archive item. Click to enlarge the image.
Main image for this archive item. Click to enlarge the image.
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Notes

Originally formed in 1921 as Trade Composition Co., the company changed its name to Cooper & Beatty, Limited in 1926 after third partner J. L. Pepper left the firm. The by-line ‘Trade Composing Room’ at the top of this poster was undoubtedly meant to provide continuity after the name change. This promotional piece is one of the earliest Cooper & Beatty items in our collection. It demonstrates an early recognition of the value – and perhaps the necessity – of educating their clients about good typography, a strategy they continued to employ through advertising, promotional materials, marketing events, and guest speakers well into the late 1960s.

At the time most typesetting was still being done by hand, using individually cast metal characters. Achieving proper letter spacing (kerning) required meticulous handwork and skill – especially with large or ornate typefaces.

To assist compositors, spacing charts like this one clearly illustrated correct spacing for various letter combinations. Characters would be manually trimmed with a small metal saw, enabling them to fit snugly together. It should be noted that our views on what constitutes ‘good spacing’ have changed over time – and will undoubtedly continue to do so.

This spacing chart, produced around the same time as the 1927 Cooper & Beatty Type Specimen Book, demonstrated the typographic capabilities of the company to potential customers. Its overall design is elegant and refined, reflecting the high standards Cooper & Beatty sought to uphold. – Rod McDonald

Artifact Text

Top: Cooper & Beatty. Limited, Toronto | Trade Composing Room | Spacing Chart Foot: This is good composition | Practice these Principles—and You will Stand with the Masters

Items in this Collection

Title: Curabitur blandit tempus porttitor

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Artifact

Article Data

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Date

1927

Title

Cooper & Beatty Spacing Chart

Description

Poster

Two-colour large broadside

16 × 23.5 inches

Publication

Publisher

Credits

Agency:
Studio:
Creative_Director:
Art_Director:
Design: Unknown
Typography: Cooper & Beatty
Hand_Lettering:
Calligraphy:
Illustration:
Art:
Author:
Writing:
Printing:
Biography:

Designer unknown (possible Ed Cooper)

Principal Typefaces

Display: Caslon Display Series No. 437E and New Caslon Series No. 637J (footer), Decorative ornaments; No. 26A, 26B and No. 27. A two-weight ‘Scotch’ or ‘Oxford’
Text: Caslon Old Style Series 337E (roman) with No, 337G (italic)
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Region

Ontario

Language

English

Holding

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Copyright Status

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We will be posting more like this. If you have work or insights that you would be willing to share with the CTA we would like to hear from you. Please contact us to contribute.