
Design for Printing – booklet, E. B. Eddy Paper Company, Carl Dair, 1947
Notes
The second booklet in a series by Carl Dair for the E. B. Eddy Company explores various aspects of typography and paper. In Design for Printing, Dair presents eight short chapters that summarize the fundamental principles of design as applied to typography. Each chapter includes a concise explanation paired with miniature, hand-rendered rough layouts demonstrating its practical application.
In 1947, there were few design studios in Canada. Larger printers often had in-house studios with designers, lettering artists, and illustrators. Smaller shops might rely on a staff member to handle basic layouts, and it was common for printers not to charge for design, as it was considered part of the overall job. Dair – along with others – sought to elevate the role of design within printing and commercial art.
These booklets were also intended for students in newly developed commercial art programs at Canadian colleges. As with Type & Paper, Design for Printing proved so popular that it warranted a second printing. – Rod McDonald
Artifact Text
Text; (from the index)
1. Unity of composition
2. Balance
3. The tools of emphasis
4. Harmony with subject
5. Contrast of weight
6. Contrast of form
7. Contrast of colour
8. Contrast of direction
Items in this Collection


Design for Printing

Type Talks

Spacing

The Art of the Printer
Title: Curabitur blandit tempus porttitor
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