The Art of the Printer — booklet, E. B. Eddy Paper Company, Carl Dair, 1956

The cover of The Art of the Printer reaches back to the earliest days of lettering and printing. Dair uses classic Roman letterforms, with later Renaissance construction principals, to subtly remind us that typography has long been governed by rules.
Each spread in The Art of the Printer includes a foldout, cleverly designed to serve two different sections. In this example, Dair incorporates pages he selected from Liber Librorum, an international exhibition held in Stockholm in 1955. He was the only Canadian designer invited to participate; his submission appears in the lower right.
Main image for this archive item. Click to enlarge the image.
Main image for this archive item. Click to enlarge the image.
Main image for this archive item. Click to enlarge the image.
Main image for this archive item. Click to enlarge the image.
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Notes

The Art of the Printer is the fifth and last booklet in the series on type and paper that Carl Dair produced for The E. B. Eddy Company. Here Dair brings everything back to the printer, at that time the person most responsible for making it all happen. The printer would soon be displaced by the graphic designer.

1956 was a busy year for Dair, he moved to Holland to spend six-months studying the cutting of metal type at the renowned type foundry Enschedé, in Haarlem. It was the first step in his eleven-year journey in developing Cartier, Canada’s first Latin text type. That same year also saw the formation of the Society of Typographic Designers of Canada (TDC), would later become the Society of Graphic Designers of Canada (GDC), and eventually Design Professionals of Canada (DesCan). – Rod McDonald

Artifact Text

“A piece of printed matter is a salesman for the organization that produces it. Neatness of appearance, the manner of enlisting attention and sustaining interest, the clear attractive presentation of facts and, finally, those individual characteristics which make up personality — all of these things are just as important in the presentation of printed material as they are in choosing salesmen”.

Items in this Collection

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Artifact

Article Data

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Date

1956

Title

The Art of the Printer
Being a collection of random notes & observations on the art & practice of typography as set down by Carl Dair

Description

Booklet

Two-colour booklet (with gate folds); 16 pp

5.75 × 8.75 inches

Publication

Credits

Agency:
Studio:
Creative_Director:
Art_Director:
Design: Carl Dair
Typography:
Hand_Lettering:
Calligraphy:
Illustration:
Art:
Author: Carl Dair
Writing:
Printing:
Biography:

Principal Typefaces

Cover: Augustea Roman, hand lettered ‘A’
Text: Times New Roman, various

Region

Ontario

Language

English

Holding

Copyright Status

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We will be posting more like this. If you have work or insights that you would be willing to share with the CTA we would like to hear from you. Please contact us to contribute.